“Listen to (his most famous poem) from a child’s point of view,” Annie says. “His father wouldn’t give Dylan the words he needed like ‘well done’ or ‘I’m proud of you.’ The work between father and son wasn’t finished.”
“Every piece I’ve ever purchased is because of an emotional response,” Leissring says, tapping a fist to his heart. “I have some big names, but that’s immaterial to me. This tendency we have to adulate some and ignore others is a tragic flaw.”
Editors have always appreciated brevity, but today space is tighter than ever. Try to keep stories under 1,500 words, 2,000 tops. A 750-word story has a much better chance of selling than a 2,500-word piece.
In the fall of 2009, Mariner magazine asked if I’d go to Mazatlan to write about the cliff divers there. I’d watched cliff divers in Acapulco during the ’70s on ABC’s Wide World of Sports but didn’t know they were still plunging into the sea. I spent three days with the divers, who – if […]