November 17, 2017

Global Soul: Chilean author Isabel Allende at home in SF Bay Area, 2016

Ever since I read The House of the Spirits in the 1980s I’ve adored Isabel Allende. She’s a natural-born storyteller, warm-hearted and insightful with a wicked sense of fun. I had the opportunity to interview her for my 2004 book of interviews with writers, A Sense of Place. I was elated last year when a magazine asked me to write about her adopted home, the San Francisco Bay Area, and how Allende has found her place so many mile from home. Ultimately this story is about Allende and her remarkable ability to transcend tragedy.

Halfway through an hourlong talk to a group of aspiring writers last August, Chilean author Isabel Allende was asked: “If you were a character in an Isabel Allende novel, where would you put yourself?”

Without missing a beat the petite writer said: “First of all, I would have long legs, I would be beautiful, I would be stunning, and smart, very strong and independent. What was the question?”

“Location: where would you be?”

“In bed with someone,” she shot back. “It doesn’t matter the town.”

Hanging on the beloved author’s every word, the audience in Marin County (just north of San Francisco) erupted in laughter. And just about everyone who asked her a question that day at Book Passage, a bookstore in Corte Madera, addressed her simply as “Isabel” as if they were talking to an old friend.

Michael Shapiro among authors featured in Best Travel Writing, appears at Book Passage on March 1, 2015, at 4pm

The key to making a travel story – or just about any kind of story – compelling is a convincing sense of place.

Making a living as a freelancer

Editors have always appreciated brevity, but today space is tighter than ever. Try to keep stories under 1,500 words, 2,000 tops. A 750-word story has a much better chance of selling than a 2,500-word piece.